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The Cameroonian-German research project explores the forms and consequences of cultural property relocations from the former colony to Germany. On the one hand, the project title ‘Reverse Collection History’ points to the classic museum-historical dimension of the project. On the other hand, it refers to the scientific-political, methodological and theoretical claim of a research that, starting from Africa, for the first time carries out a change of perspective and asks a) about the whereabouts of Cameroon’s material heritage in European countries – here in Germany – as well as b) about the traces that the absence of this heritage in Cameroon has (or has not) left behind. The joint project thus focuses on the dialectic of the presence and absence of singular objects in the places where they are today (museums) and in those where they originally were.

To achieve the project’s goals, a comprehensive inventory of colonial-era Cameroonian object holdings in German museums as well as their contexts of origin in Cameroon will be undertaken. Such an overview of Cameroon’s rich material and artistic heritage outside of Cameroon has been lacking until now, with the result that no precise knowledge and discourse about these collections has been able to develop in the country itself over the past decades.

The inventory just described is followed by an investigation of the consequences associated with the translocation of the colonial-era object collections. Through selected case studies, the reception (or lack of reception) of the objects present in German museum collections will be investigated. On the other hand, the consequences of the withdrawal and the permanent absence of the objects in Cameroon as well as local forms of resilience will be recorded. By analysing the Cameroonian way of dealing with the loss of the objects, the data collected in the inventory can be embedded in a multi-perspective context commented on by the Cameroonian societies of origin. The results of the inventory will be documented in the form of an atlas of Cameroon’s material heritage in German museums.

Link : https://www.tu.berlin/en/kuk/research/projects/current-research-projects/umgekehrte-sammlungsgeschichten-mapping-kamerun-in-deutschen-museen

  Posts

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November 1st, 2022

Das ist für mich purer Neokolonialismus

Sie sind drei- oder viermal getötet worden. Und heute, 150 Jahre später, will man sie nochmal töten, mit Bohrmaschinen, sogenannten […]

October 25th, 2022

Eine neue Ethik: “Wir und Ihr im gleichen Raum”

“Baumwolle, das Haus in dem ich lebe – das koloniale Erbe ist unübersehbar” “Baumwolle, das Haus in dem ich lebe […]

October 16th, 2022

Sachverständige fordern Dialog auf Augenhöhe mit dem globalen Süden

Vertreter verschiedener Kultureinrichtungen aus Deutschland und Kamerun haben sich im Rahmen eines öffentlichen Fachgesprächs im Kulturausschuss am Mittwoch, 12. Oktober 2022, für eine Zusammenarbeit […]

October 14th, 2022

Dialog auf Augenhöhe mit dem globalen Süden

Kultur und Medien/Ausschuss – 12.10.2022 (hib 546/2022) Berlin: (hib/AW) Vertreter verschiedener Kultureinrichtungen aus Deutschland und Kamerun haben sich im Rahmen […]

September 17th, 2022

12th Berlin Binnale for Contemporary Art Conference : From Restitution to Repair 

ENGLISH Conference: From Restitution to Repair – Day 1  While the debate on restitution is gaining attention internationally, it is also […]

August 25th, 2022

“Blaue Reiter” Pfosten aus Kamerun – ausgelöschte Geschichte

Ein verzierter Holzpfahl aus Kamerun – in der Zeit nach München gebracht, als Kamerun deutsche Kolonie war. Wurde er von […]

July 28th, 2022

Project Cassandra Newsletter 04/2022

April 1st, 2022

ACT inw Zoom – Prof. Albert Gouaffo

Link: https://videoportal.uni-freiburg.de/m/d2101b0fa7c2344d127731442090077514859163852eaa5e68d901ceb7661198a1c82527f3b7f98c318a5401081c61b9fe4ba0b3ea4e3744433a4e292f444ff2#

February 23rd, 2022

Albert Gouaffo – Terminologie in der Provenienzforschung oder Suche nach einer dekolonialen Sprache

Vortragsreihe: Worte finden – Sensible Sprache in Provenienzforschung und im musealen Kontext Was bedeutet es, sensibel zu sprechen? Wie können […]

January 29th, 2022

KAMERUNS RECHT AUF KULTUROBJEKTE